An action-packed, edge-of-your-seat novel about a teen who, when
backed into a corner, fights back, from the author of What Waits in the
Woods
Kaia has been on the run her whole life. The daughter of
professional assassins, she knows danger—and she’ll do anything to survive.
After her parents vanished during a job gone bad, Kaia’s spent the last year in
hiding, trying to blend in as an ordinary teenager, and there’s no one who
makes her feel more normal, more special, than her boyfriend, Oliver.
But when she's attacked by someone from her mother's past and
Oliver catches her fighting back, Kaia's secret is exposed. In a split-second
decision, she flees the small town, taking Oliver with her. Stalked at every
turn, Oliver and Kaia must protect each other...or die trying.
KIERAN SCOTT is the author of several
acclaimed young adult novels, including the Non-Blonde Cheerleader trilogy, the
He’s So/She’s So trilogy, and Geek Magnet. She also wrote the New
York Times and USA Today bestselling Private and Privilege series
under the pen name Kate Brian. She is a senior editor at Disney/Hyperion and
resides in New Jersey with her family. Visit kieranscott.net.
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One of my favorite things about writing PRETTY
FIERCE was trying to figure out what Kaia would do next. I don’t consider
myself to be particularly brave—except for the fact that I don’t mind public
speaking which is one of those things that keeps people awake at night. But I
imagine that if I were ever in a situation like Kaia is in—being pursued by bad
guys, hunted down at every turn, forced to try to protect the man I loved—I’d
probably end up a ball of blubbering mush in a corner. So when I was writing her,
I would try to imagine the exact opposite of what I would do in a given
situation, and then write that. More often than not, it ended up being the
thing that I wish I would have the
guts to do, but really just couldn’t imagine myself doing. And that’s what I
think makes a great kick-butt heroine—someone who allows us to see the
possibilities of what we could do—what we could be—if we could find that deep
well of courage within ourselves.
Here is one of my favorite kick-butt heroines:
Veronica Mars – Veronica Mars
Veronica’s best kick-butt quality was her
ability to slay with her tongue. That girl could cut down a redwood tree with
one well-placed and sarcastically delivered barb—no roundhouse kicking or
right-hook punching necessary. She was also constantly putting herself in
dangerous situations in order to help others, never much caring for her own
safety—and then she’d talk her way out of them whenever she was caught. The
talent Veronica had was to say the thing you wished you’d said in the moment,
but only thought of an hour later. She always had it ready to go.
EXCERPT
KAIA
I turned on the speed, caught up to the van, and jumped off my
board. It rolled ahead and bumped to a stop at a sewer drain next to the curb.
“Oliver!” I tried the door, but it didn’t budge. I pounded on it so hard
my fists stung. Oliver shouted, but I couldn’t make out the words.
“Let him go!” I screeched. “He has nothing to do with this!”
The light turned green and they were off again. I groaned, grabbed
my board, and followed. As I maneuvered Sophia around an ancient manhole cover
I memorized the license plate.
Illinois 851 BCG.
Illinois 851 BCG.
Illinois 851 BCG.
My breath was short, and I honestly felt as if my heart was about
to overload. I couldn’t keep up this pace much longer. Up ahead, a police car
idled in front of a coffee shop. As I rolled closer I could see two men in blue
through the plate glass window, sucking on coffee and laughing.
Would they help me? If I got the cops involved, they’d want my ID.
And while I had a fake passport on me, I couldn’t risk it being entered in some
database and possibly alerting the authorities of my whereabouts. Even more
importantly, if the police got Oliver, they’d send him right back to South
Carolina, to Robin, to that hell. I couldn’t let that happen. Anonymity was
key. We really were in this together.
I pressed as hard as I could, almost biffing on some roadkill and
hopping the larger cracks in the road. At each light, I closed the distance
between us, and I nearly got close enough to grab the back fender, but then the
van took off and changed lanes, and I lost my advantage. Then the kidnappers
hooked a left onto a residential street, and I made it across the main drag
seconds before the light turned green. A motorcycle zoomed past me, so close I
swore the driver’s leather jacket brushed the back of my backpack.
I turned onto the street and didn’t see the van anywhere. It must
have pulled into a driveway or a garage. I gave myself ten seconds, gasping for
breath as I leaned against a wrought iron fence post, then kept moving.
The street was quiet, aside from dance music playing somewhere in
the distance, the repetitive thump of the bass keeping time with my pulse. I
hopped off Sophia and ducked down the first driveway on foot, thinking it would
be better to stay away from the glare of the streetlights. For a second I
crouched next to a busted wood fence and strapped Sophia to my backpack, then
cut across a backyard with unkempt grass and a stone barbecue pit at its
center.
The garages on the street were all detached and sat at the end of
long driveways near the back corner of each property. I paused and took out my
Beretta. The steel felt cool against my palm, and I prayed no one would give me
a reason to use it. But I would if I had to. I would for Oliver.
At the next house, I peeked inside the foggy garage window and saw
nothing but piles of boxes.
The dance music was getting louder. The next garage housed a small
car covered by a brown tarp. The third was another mess of storage. At the
fourth house, I was close enough to the music to hear the laughter and raised
voices that went along with it. I had to scale a fence to get to this garage
and when I came down on the other side, I nearly slammed my head against a pile
of old kegs. The scent of stale beer hung in the air, and there were cigarette
butts everywhere. Lovely.
I brushed myself off and righted my backpack. Cars packed the
driveway, and the house was entirely lit up. Two girls hung out on the back
porch, smoking and sipping from red cups. Over their heads, propped up on the
porch roof, were three illuminated letters. BBΓ. And at the very edge of the
driveway, hanging over onto the sidewalk, was a big, white, van.
What the hell?
A chorus of cheers went up inside the house. My eyes narrowed as I
shoved my short, sweaty hair behind my ears. Suddenly, I wasn’t in such a huge
rush. I pushed the gun into the back waistband of my jeans and made sure my
jacket covered it.
Stepping out of the shadows, I cut across the lawn and walked up
the steps to the rear porch where the two girls sat. They eyed me as I strode
past and opened the back door.
“Ladies,” I said.
One of them scoffed, but neither made a move to stop me. Inside, I
found myself in a huge, brightly lit, mostly white kitchen packed with dozens
upon dozens of miniskirt-sporting, overly made-up girls with straightened hair.
The dance music was deafening. Everyone was drinking, laughing, shrieking. And
in the center of it all was my boyfriend, shirtless, leaning his head back while
two buxom babes poured alcohol from two bottles directly down his throat.
“Um, Oliver?” I said.
He brought his chin down too fast and spit brown liquid
everywhere. A few drops even landed on my cheek.
“Ew!” the girls chorused.
Oliver wiped the back of his hand across his lips and widened his
eyes at me. “They made me do it!”
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